Another year, another Fantastic Fest! I saw 34 films over a one week period and my brain feels like it’s boiling. Some great stuff this year and some films that were very thought-provoking. I don’t follow the “film circuit” other than this so I go in blind on all the movies. “It won at Cannes!” “Oh, really?” FF is my favorite vacation of the year – no planning stuff to placate family members, no travel rigors – just pick 5 movies a day and grind through them and fill your brain with diverse images and ideas.
General thoughts from the fest:
- I think “child endangerment” is the real theme of this year’s Fantastic Fest, even though it’s allegedly clowns… Well, maybe they are the same thing? But kids are NOT safe in any of these movies.
- “We got access to a nice house; let’s film an entire movie in it” (apparently not purely for pandemic reasons) is a pretty common thing this year
- The surprise “secret screenings” were kinda bougie this year, possibly due to Sony buying the Alamo Drafthouse and Fantastic Fest. They are fine movies but Saturday Night and The Apprentice are not aligned with the usual FF content.
- The weird “violence is more tolerated, sex is less tolerated” Hollywood vibe continues; some pretty gruesome bits in otherwise more sedate fare was confusing – at least two movies could have been PG barring a couple random gore incidents that seemed out of character for the film. I guess everything goes to screening so MPAA ratings are irrelevant? Or is the MPAA so far gone that brutal violence is fine now but breasts cause you to burst into flames? Dunno.
I’ve rated the films I saw 1-10 based on my subjective opinion.
- 9-10: Must watch for anyone, seek it out!
- 7-8: Good stuff
- 5-6: Mid but watchable if you like the genre
- 3-4: Maybe if you’re really into its thing
- 1-2: So angry that I saw this
I’ll start out with the best ones, and do separate posts for the good, mid, and fair to bad ones. There were five films I really loved this year. And interestingly, they each in a completely different genre from the rest, so there should be something for everyone!
Planet B (10/10) is an excellent French political sci-fi thriller about a near future filled with drone surveillance and citizen suppression (a very near future, in other words) where captured dissidents get disappeared and put in total VR immersion to try to get more info out of them. Super realistic and plausible. The two female leads, one who is a captured dissident and one who is an immigrant ex-journalist cleaning lady who happens upon the plot, do a super job. The theme of trust was razor edged – you can’t trust anyone in a secret police state (especially inside VR) where the main thing is them trying to get names of others out of you – but you have to trust others to survive and fight back. This is director Aude Lea Rapin’s second feature (and the first was filmed guerilla), she was a documentarian previously. It’s set in 2039 but this may be a reality sooner; I guarantee there’s some twisted f**k at the Pentagon working on this concept right now. “Now hear me out… Mind Guantanamo!” Very clever veneer of democracy on top of it – well we can’t torture them in VR, that would look bad if we got discovered, but how about sleep deprivation via nightmares of their crimes? We can’t monitor them but we can play mind games to get them to narc on each other… The tension was high throughout and you were never sure if a given gambit would work or backfire terribly. The tech was pretty much modern day plus a little, it goes past plausible to inevitable. I strongly recommend this movie, it is what science fiction is meant to do. “The function of science fiction is not only to predict the future, but to prevent it.” – Ray Bradbury
Daniela Forever (10/10) is Fest favorite Nacho Vigalondo’s (Colossal, Timecrimes) newest feature. And he’s back baby!!! Amazingly fun and thoughtful, a musician Nicolas in Madrid (Henry Golding, aka Snake Eyes) is mourning the sudden loss of his girlfriend Daniela (Beatrice Granno) and not doing well until a friend gets him into a clinical trial for a lucid dreaming drug to try to get over it. Instead he now lives to dream about her. Surprises abound as his grief and selfishness interact. Do we think of other people in our lives as just NPCs and our volition as the thing of paramount importance? If we think they’re not real, does that change how we should – or would – act? We start out as kind of a reverse Eternal Sunset of the Spotless Mind (remember the ex, not forget her) and get nearly to I Have No Mouth But I Must Scream with him playing God and getting unhinged before we end up with a converse Eternal Sunshine. The emotional journey is deep and complex and thought-provoking. The waking world is filmed in old magnetic tape and the dream world in full 4k creating an unmistakable context to let you know where you are (until deliberately played with, of course). And it wouldn’t be a Nacho movie without some truly hilarious bits (their “monster costumes” of Dracula With A Chainsaw and Shark With A Gun had the audience hooting in glee). A new best for Nacho and a movie definitely as meaningful and memorable as Eternal Sunshine.
Sister Midnight (10/10) is a great slow burn comedy/drama in Hindi by first time director Karan Kandhari following a newly married Indian couple leading an estranged life in a 10×10 shack-end in Mumbai. Radhika Apte, the lead actress, gives a superb performance – even when she is just sitting isolated in her hovel all day while her husband is at work she is captivating and conveys entire soliloquies of meaning with every gesture or look. She is lonely and frustrated and it’s at least partially her fault because she’s a bit antisocial and difficult. She slowly learns how to do domestic basics and makes friends with a neighbor and the local trans women (hijras) who give street blessings and a guy who runs the elevator at her work, and then things take a dark turn as she starts to feel sick and have trouble tolerating – *normal* food… I don’t want to give away anything about what happens because it was so rewarding to not know what was coming, but this movie is brilliant and one of my favorites of the fest. Trust and watch. Did well at Cannes and for a first movie from this guy… Dang! Also has a top flight soundtrack, Delta blues (we open on a train chugging down moonlit tracks to it) to Iggy Pop (the movie’s named after one of his songs).
Ghost Killer (9/10) is a fun Japanese action movie about a girl who finds a shell casing from a bullet used to murder a hit man, so his ghost haunts her and can possess her and share his martial arts badassery with her so she can bring the pain as she goes up against his foes and hers. As you might expect it’s female empowerment / youth empowerment but not as goofy as that often is and has super solid serious action scenes. She refuses to kill but not in the usual naive self-righteous way. The characters all have reasonable motivations that are not just “squealing” or “murder” unlike, frankly, a lot of other Japanese films in this vein. This is a formula we’ve seen before but here it’s executed way more skillfully. The director, Kensuke Sonomura, is the fight choreographer on the Baby Assassins series and this is his directing debut, and it beats those hands down for my money!
Get Away (9/10) – Midsommar meets Hot Fuzz written by and starring Nick Frost. A British family goes on vacation to a weird little Swedish island (played by a Finnish island) where they celebrate a dark local holiday. I don’t want to give away any of the twists but it is funny and creepy and then Act 3 is a sudden orgy of gruesome yet still somehow funny blood and violence. Great acting all around; Nick Frost is Nick Frosting it up of course but the dynamic among all the family members was great and all the Finnish supporting actors were fun and weird. And when the Desert Eagle sings, you cannot mistake her cry.
Now, I did not manage to get in to see Anora (NYC sex worker goes to Russia) or U Are The Universe (Ukranian space truckers) but a bunch of people I talked with cited them as in their top 3 so give those a try too (I’ll be looking for them!)









