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Fantastic Fest 2024 – The Best

Another year, another Fantastic Fest! I saw 34 films over a one week period and my brain feels like it’s boiling. Some great stuff this year and some films that were very thought-provoking. I don’t follow the “film circuit” other than this so I go in blind on all the movies. “It won at Cannes!” “Oh, really?” FF is my favorite vacation of the year – no planning stuff to placate family members, no travel rigors – just pick 5 movies a day and grind through them and fill your brain with diverse images and ideas.

General thoughts from the fest:

  • I think “child endangerment” is the real theme of this year’s Fantastic Fest, even though it’s allegedly clowns…  Well, maybe they are the same thing? But kids are NOT safe in any of these movies.
  • “We got access to a nice house; let’s film an entire movie in it” (apparently not purely for pandemic reasons) is a pretty common thing this year
  • The surprise “secret screenings” were kinda bougie this year, possibly due to Sony buying the Alamo Drafthouse and Fantastic Fest. They are fine movies but Saturday Night and The Apprentice are not aligned with the usual FF content.
  • The weird “violence is more tolerated, sex is less tolerated” Hollywood vibe continues; some pretty gruesome bits in otherwise more sedate fare was confusing – at least two movies could have been PG barring a couple random gore incidents that seemed out of character for the film. I guess everything goes to screening so MPAA ratings are irrelevant? Or is the MPAA so far gone that brutal violence is fine now but breasts cause you to burst into flames? Dunno.

I’ve rated the films I saw 1-10 based on my subjective opinion.

  • 9-10: Must watch for anyone, seek it out!
  • 7-8: Good stuff
  • 5-6: Mid but watchable if you like the genre
  • 3-4: Maybe if you’re really into its thing
  • 1-2: So angry that I saw this

I’ll start out with the best ones, and do separate posts for the good, mid, and fair to bad ones. There were five films I really loved this year. And interestingly, they each in a completely different genre from the rest, so there should be something for everyone!

Planet B (10/10) is an excellent French political sci-fi thriller about a near future filled with drone surveillance and citizen suppression (a very near future, in other words) where captured dissidents get disappeared and put in total VR immersion to try to get more info out of them. Super realistic and plausible. The two female leads, one who is a captured dissident and one who is an immigrant ex-journalist cleaning lady who happens upon the plot, do a super job. The theme of trust was razor edged – you can’t trust anyone in a secret police state (especially inside VR) where the main thing is them trying to get names of others out of you – but you have to trust others to survive and fight back. This is director Aude Lea Rapin’s second feature (and the first was filmed guerilla), she was a documentarian previously. It’s set in 2039 but this may be a reality sooner; I guarantee there’s some twisted f**k at the Pentagon working on this concept right now.  “Now hear me out… Mind Guantanamo!” Very clever veneer of democracy on top of it – well we can’t torture them in VR, that would look bad if we got discovered, but how about sleep deprivation via nightmares of their crimes? We can’t monitor them but we can play mind games to get them to narc on each other…  The tension was high throughout and you were never sure if a given gambit would work or backfire terribly. The tech was pretty much modern day plus a little, it goes past plausible to inevitable. I strongly recommend this movie, it is what science fiction is meant to do. “The function of science fiction is not only to predict the future, but to prevent it.” – Ray Bradbury

Daniela Forever (10/10) is Fest favorite Nacho Vigalondo’s (Colossal, Timecrimes) newest feature. And he’s back baby!!! Amazingly fun and thoughtful, a musician Nicolas in Madrid (Henry Golding, aka Snake Eyes) is mourning the sudden loss of his girlfriend Daniela (Beatrice Granno) and not doing well until a friend gets him into a clinical trial for a lucid dreaming drug to try to get over it. Instead he now lives to dream about her. Surprises abound as his grief and selfishness interact.  Do we think of other people in our lives as just NPCs and our volition as the thing of paramount importance? If we think they’re not real, does that change how we should – or would – act? We start out as kind of a reverse Eternal Sunset of the Spotless Mind (remember the ex, not forget her) and get nearly to I Have No Mouth But I Must Scream with him playing God and getting unhinged before we end up with a converse Eternal Sunshine.  The emotional journey is deep and complex and thought-provoking. The waking world is filmed in old magnetic tape and the dream world in full 4k creating an unmistakable context to let you know where you are (until deliberately played with, of course). And it wouldn’t be a Nacho movie without some truly hilarious bits (their “monster costumes” of Dracula With A Chainsaw and Shark With A Gun had the audience hooting in glee). A new best for Nacho and a movie definitely as meaningful and memorable as Eternal Sunshine.

Sister Midnight (10/10) is a great slow burn comedy/drama in Hindi by first time director Karan Kandhari following a newly married Indian couple leading an estranged life in a 10×10 shack-end in Mumbai. Radhika Apte, the lead actress, gives a superb performance – even when she is just sitting isolated in her hovel all day while her husband is at work she is captivating and conveys entire soliloquies of meaning with every gesture or look. She is lonely and frustrated and it’s at least partially her fault because she’s a bit antisocial and difficult. She slowly learns how to do domestic basics and makes friends with a neighbor and the local trans women (hijras) who give street blessings and a guy who runs the elevator at her work, and then things take a dark turn as she starts to feel sick and have trouble tolerating – *normal* food…  I don’t want to give away anything about what happens because it was so rewarding to not know what was coming, but this movie is brilliant and one of my favorites of the fest. Trust and watch. Did well at Cannes and for a first movie from this guy…  Dang!  Also has a top flight soundtrack, Delta blues (we open on a train chugging down moonlit tracks to it) to Iggy Pop (the movie’s named after one of his songs).

Ghost Killer (9/10) is a fun Japanese action movie about a girl who finds a shell casing from a bullet used to murder a hit man, so his ghost haunts her and can possess her and share his martial arts badassery with her so she can bring the pain as she goes up against his foes and hers.  As you might expect it’s female empowerment / youth empowerment but not as goofy as that often is and has super solid serious action scenes. She refuses to kill but not in the usual naive self-righteous way.  The characters all have reasonable motivations that are not just “squealing” or “murder” unlike, frankly, a lot of other Japanese films in this vein. This is a formula we’ve seen before but here it’s executed way more skillfully. The director, Kensuke Sonomura, is the fight choreographer on the Baby Assassins series and this is his directing debut, and it beats those hands down for my money!

Get Away (9/10) – Midsommar meets Hot Fuzz written by and starring Nick Frost. A British family goes on vacation to a weird little Swedish island (played by a Finnish island) where they celebrate a dark local holiday.  I don’t want to give away any of the twists but it is funny and creepy and then Act 3 is a sudden orgy of gruesome yet still somehow funny blood and violence. Great acting all around; Nick Frost is Nick Frosting it up of course but the dynamic among all the family members was great and all the Finnish supporting actors were fun and weird. And when the Desert Eagle sings, you cannot mistake her cry.

Now, I did not manage to get in to see Anora (NYC sex worker goes to Russia) or U Are The Universe (Ukranian space truckers) but a bunch of people I talked with cited them as in their top 3 so give those a try too (I’ll be looking for them!)

Fantastic Fest 2023 – The Bad

OK, so respect to all filmmakers, but some of the movies from the fest I was unhappy with. No 1/5s this year, I don’t completely regret seeing any of them, but I wouldn’t recommend someone watch them unless they are super into whatever its subject in and even then I’d have some notes.

And in the category of “bad”, I had some utter chaos IRL – I had to miss two showings due to a killer hailstorm partially destroying my house. 0/5 no bueno, would not recommend.  Maybe good fodder for a natural disaster film better than Acide. But once I got my shattered windows and skylight covered and called my insurance company, there was really nothing to do but go back to the fest!

Divinity, a very impressionistic black&white film about… immortality serum and… hard to be sure what else exactly. It is directed by Steven Soderbergh but do not let that lead you to think it is good or has a budget over $100k. Has angels (maybe), hookers (pretty sure), scientists (pretty sure), fetus milking (I think) and some stop motion animation for the final scene (real sure). And completely incomprehensible plot. Some interesting visuals at least, 2/5

The Origin aka Out of Darkness, where cro-mags 45000 years ago struggle to survive in Scotland, a blasted and inhospitable wasteland in the best of millennia.  Like Prey or 13th Warrior but less fun. High realism survival… or lack thereof. Dirty and boring mostly, but some suspense, 2/5

Kennedy – An Indian crime drama with our antihero being an ex-cop working as a hit man for crooked cops (and as an Uber driver?) and seeking revenge for his blown up boy. Nice and slick and well acted but way, way too long. 2/3 of the way through you’re like “I know how it’s gonna end let’s just get there eh?” Also he sees dead people but not in any plot relevant way. Cut a half hour or better yet 45 minutes out, put it on Netflix, people will watch it. 2/5

We Are Zombies – A “Z Nation” low-caliber production set in a world where the living and non-brain eating living dead (or “living impaired”) coexist.  Plot is about three slackers ripping off a zombie “humane disposal” company by getting there first and selling people’s former loved ones to a performance artist. “Zilf webcam shows” is the height of humor here.  2/5 and that’s me being generous.

100 Yards – Decent Chinese period martial arts fighting marred by a convoluted plot, frankly baffling character motivation, and indifferent acting.  Not enough martial arts per minute.  And in the end the victor is…. The French post office?  In a surprise last minute victory over… old people? Yes, seriously. I shoulda slept in.  2/5.

Baby Assassins 2 – two Japanese girls (not really babies, more like GenZs) cope with life as assassins guild members when they really just want to eat.  Two similar lads decide they need to kill them to get their spot in the guild and hijinks ensue.  Decent action and super annoying acting. A John Wick premise with an Aggretsuko execution.  Ok but forgettable, except that the Matthew Lillard looking one liked to snack on Churus (the cat treat), which was funny. 2/5

One-Percenter – a Japanese action star really knows him some action and unleashes it on some Yakuza in a “Die Hard in a factory” scenario when they interrupt his filming.  It was ok but the kills (well, takedowns) were a little weak. Floppy fake guns were distracting and I had seen things like flashlight beat downs done much better at the same film festival. And there was too much “meta” actor/stuntman self congratulatory stuff for me (hey film people your film’s audience is not just filmmakers, if you want to make more than $20 that is). 2/5

Saw X – Normally I wouldn’t go to a Saw movie but it was a secret screening so I was already seated by the time it started (though about ten people rushed the door to leave once it was announced).  I haven’t watched many Saw movies so had to figure out that the old guy was Jigsaw and the chick was his apprentice, but I got there.  Jigsaw has brain cancer and goes to an international clinic but it’s a scam so it’s torture murder time.  But man there was a lot of plot relative to the torture murders, unusually, which made it better for me than the average Saw movie. Torture porn not my thing 2/5

The Deep Dark – French miners (well, one is French, the rest are the European version of diversity, a Spaniard, Italian, Moroccan, and so on) dig too deep at the behest of some visiting archaeologist and find some Lovecraft, and get chased around the mines by a Spirit Halloween display.  Started well but lagging pacing and fully showing an unconvincing puppet monster hurt it (have you read no Lovecraft!  Fear of the unknown yo, don’t show the monster so much). 2/5

Fantastic Fest 2023 – The Mid

Not every film can be great, but these are decent and if you’re into whatever their niche is you should give them a try.

The Other Laurens, a French neo-noir (but high color saturation style), a private detective’s estranged twin brother dies and his niece dupes him in to investigate and you know, rich people, bikers, smuggling, betrayal. Slow burn but enjoyable, watch if you like French noir, 3/5

The Silence Project aka Project Silence, where a bunch of squalling Koreans get stuck on a bridge with escaped military-enhanced murder dogs.  Modern, slick, serviceable. For God’s sake Koreans in crisis shriek and yowl and beat their breast and fall down in an outpouring of emotion a lot. They go for a satisfying “punch the guy in charge after the rescue” ending but the lead character was a dirtbag politician until close to the end which robs it of some of the satisfaction. Think of it as “Train to Busan but not as good.”  Watch if you are super into Korean movies, 3/5

Tiger Stripes – A Malaysian girl gets her period and as is traditional that turns into body horror, and ends up with some possession by/turning into a tiger (maybe?).  Looks at the separation that happens between children and young women when they hit that age. Good child actors!  And I liked the look into Malay culture. Well done, 3/5

Eileen – Based on an Ottessa Moshfegh novel (which I then bought at the fest book fair!) in which a young Massachusetts lady is working in a prison and taking care of her drunk widower ex-cop dad in a realistically unpleasant New England. She has her sexual awakening, like most of us, via Anne Hathaway, who plays an elegant prison psychiatrist. Some great lines like “Did she seem angry to you?” “It’s Massachusetts, everyone is angry.” It goes quickly from coming of age story to crime investigation to crime committing. Sometimes it’s not a good idea to liberate the quiet ones, 3/5

Acide – French movie about acid rain attacking.  I was excited and from the intro and opening I thought we were gonna get something good, but then… The color was trash, like ultra compression artifacts trash, but I heard from someone later that was our projection setup not the movie. But then there were very very few people-melts, and I had been led to expect many.  Was it not finished?  There was a blank spot for 15 seconds when I think horses were getting acid rained on…  And like I get it, they’re French, but the amount of flopping to the ground when in danger and total lack of survival skills was shocking.  Not gonna put some plastic sheeting over that car eh?  Gonna wrap your feet in aluminum tins not plastic bags?  No one has baking soda or hydrogen peroxide to treat getting splashed by acid?  The choices (repeatedly) to drive around screaming in the rain instead of just parking inside something was infuriating. I have never said the sentence “Roland Emmerich should remake this” in my life, but now I am. 2/5 but that is influenced by the poor video quality of the version I saw, may be 3/5.

Fantastic Fest 2023 – The Good

Plenty of perfectly good movies of various types at this FF!

The Animal Kingdom, a French movie where some people start gradually turning into one animal or another, causing French style social unrest. A boy and his dad move to a smaller town to be close to “the center” the mom has been remanded to when the boy starts showing signs of animalism too…. Well shot and well made. We all watch tv with subtitles on nowadays, let’s get this going here in the US.  4/5.

Saltburn – Very well made Harry Potter slashfic I saw as a secret screening.  The lad from Banshees of Inisherin goes to Oxford and meets a rich boy who takes him back to his manor house of Saltburn to hang out with his decadent/goofy family leading to both homoeroticism and The Talented Mr. Ripley style supplantation.  Suspenseful, with some super gross scenes causing the audience to scream “oh god why” a couple times – like Babylon x2. 4/5 or 3/5 if you have a weak stomach. [Editor’s note from a year later – this came out in theaters and made a good splash.]

The Last Stop in Yuma County – A fun entry in the “stuck in a diner under threat of violence” genre, with great characters which is what you need out of one of those.  Various people with various agendas, some criminal, drop in on a diner out in the middle of nowhere and things start to get tense. Good writing and acting and use of the location. The producer sold his house to make it, which is a little drastic but I think it’ll pay off. 4/5

Cobweb – A fun Korean movie about the rigors of moviemaking, which I was prepared to dislike because I don’t like filmmakers masturbating about how cool they are but Jee-woon Kim successfully subverts expectations.  Song Kang-ho does a great job as the director who is trying to re-shoot his movie to make it Brilliant(tm) despite the government censors being against it, although I am not sure any of the performances count as “nuanced.” The spider won me over, 4/5

Dream Scenario – A secret screening. Nicolas Cage (well, his character, an average Joe professor) starts appearing in people’s dreams, it turns into an Internet meme once people clue in, and then it all goes bad.  Less blood-covered shrieking Cage than many of his recent movies – but not zero.   Good A24 type stuff, though a little heavy handed on the social media/cancel culture theme.  4/5 [Editor’s note from a year later – this also came out in theaters and made a good splash.]

Dogman – A secret screening. Luc Besson directed (but all American English) movie about a… drag queen dog whisperer in a wheelchair!  It was really interesting, and mostly hinged on Caleb Landry Jones’ virtuoso performance.  As an aside, that is one Joker looking son of a bitch if ever I saw one, DC needs to call him up. Anyway, very interesting narrative structure, mostly “The Usual Suspects” style extended interrogation flashback style.  Similarities to The Professional in that it ends up in a bit of apocalyptic shootout but also in that it has real heart and compassion for its characters.  Really enjoyable. I appreciated that drag was part of the main character’s ongoing healing process from his abusive childhood, not related to his “crimes” in any way. No distribution in North America yet because of the anti-Besson sentiment. 4/5

Spooktacular! – A documentary about the Spookyworld theme park that rose and fell in the 1990s in the Northeast and spurred the rise of the modern hardcore haunted house industry.  Mixes park content with business realities and social change and its interaction with the park.  And plenty of Alice Cooper and Tom Savini, who were involved at points. Really interesting, and makes me wish I had been to Spookyworld!  We have House of Torment here in Austin but it only does a third of what these folks did! 4/5 at least in documentary terms. https://www.spooktacularthemovie.com

When Evil Lurks – an Argentinian movie following two brothers who desperately try to escape a demonic presence that moves and spreads kinda like Legion but with more people being affected. I like that the government has standard protocols for handling this but generally is inefficient and sucky so it gets out of hand before they start actually following them.  Reminds me of the Mexican movie “We Are What We Are” I saw a previous year at FF where cannibals on a rampage were called in by the police as a “code 17”, a concerningly low number for such an event. The seven rules for dealing with the “corrupted” are basically “run” which is what they do.  Shocking violence against kids. Some holes but fewer than most modern horror movies! 4/5

Your Lucky Day – a $156 million lottery ticket winner in a bodega at night close to the holidays results in a robbery gone wrong, the winner and a policeman getting capped, and then the survivors – a robber, the clerk, and a married and expecting couple, deciding “well… maybe we should cook up a story about what happened and split the winnings.”  Needless to say such plans are unstable and things go from bad to worse as more people get involved, with the increasing body count resulting in yet more convoluted schemes. P.S. ACAB.  4/5

Sri Asih: The Warrior – Indonesian Wonder Woman, basically, in the “Bumlangit Cinematic Universe” which is as much or more fun and high budget as the DCEU. A girl is born during a weirdly supernatural volcano eruption, grows up in an orphanage, gets adopted and trained as a MMA fighter as visions of a fire goddess try to convince her to unleash her anger and give in to the dark side… and then basically she becomes a superhero! She then combats the ever popular combination of supernatural evil, the criminal rich, and the patriarchy.   Good mostly practical fight scenes,  top quality cinematography, action choreography by the company the Raid guy founded. Great work here, better than most DC movies and at least half of the Wonder Woman movies. 4/5

I’ll Crush Y’all, aka Os reviento – Spanish movie where a boxer and ex-criminal trying to just live a clean life gets caught up in a bunch of accidentally colliding criminal schemes after his father dies of old age, requiring him to beat the stuffing out of various waves of local goons.  His brother and ex-girlfriend and new would-be girlfriend and father’s old flame put in appearances as well, and you understand the relationships between the various groups here they’re not just arbitrary unrelated criminal armies like in so many less good movies. Bloody and funny with a lot of friendly fire and self injuries by the street level thugs as the bodies pile up. Got the Fantastic Fest audience award, I wouldn’t go that far but it was fun and violent, 4/5

Totally Killer – A Blumhouse joint in the vein of Happy Death Day’s vibe and a plot that’s Halloween crossed with Back To The Future. A modern gen-Z girl has parents whose friends got serial-killed back in the 1980s by a masked killer leading up to Halloween, and the killer suddenly returns and kills her mom!  This then leads her to get her friend’s time machine she’s been developing (eye roll) to to back in time to stop the murders. Most of the humor is from a modern kid being back in the unsafe 1980s, and it’s pretty funny, it doesn’t spend time on cheap pop culture references, but shows her culture shock with the lack of security and such.  A ride in a station wagon with all all windows rolled up and completely full of cigarette smoke with kids in the back gave me IRL flashbacks. Fun, silly, stabby, 4/5, take a point off if you weren’t around in the 80’s.

Fantastic Fest 2023 – The Best

I have enjoyed going to Fantastic Fest, the genre film festival started by the founder of the Alamo Drafthouse, Tim League, since… 2009!?! Holy shit I’m old. Anyway, I go, not every year, and I write up film reviews here, though not every year. It’s a week of black shirted men and tattooed women at the Alamo Drafthouse South Lamar in Austin watching 5 movies a day! They specialize in “genre” movies – SF, horror, action, weird, foreign…  Some are “secret screenings” where you don’t know what you’re going to see until you’re seated. Anyway, I just got back from FF 2024 and realized I never posted my 2023 reviews so time to get caught up!

My rating scale (in my opinion of course, YMMV, but I don’t bother beating around the bush if I don’t like something):

  • 5/5 – Great movie, I plan on actively promoting it to anyone who will listen, will happily rewatch it
  • 4/5 – Good movie, seek it out
  • 3/5 – OK, worth watching
  • 2/5 – Fair – don’t regret watching it per se but wouldn’t recommend it without some caveats
  • 1/5 – Bad – regret spending hours of my time on this trash (none of these this time, and usually there are!)

Let’s see… I’ll start out with the best ones, and do separate posts for the good, mid, and bad ones. There were four films I really loved this year and gave 5/5 to. Definitely check them out, they’re all on Amazon Prime and Apple TV as well as a long tail of other outlets, except sadly for Triggered.

Action!

Triggered, a Filipino action movie with loads of great and bloody action. A commando vet with PTSD is hired to guard a warehouse and two teens seeking refuge bring a waves of corrupt drug cops in to get killed with guns, knives, flashlights, hands, debris, table saws, explosions…. But with a remarkably deft hand with humanizing all out participants via their families and lives. First Blood meets Hard Target meets The Raid. Put it in theaters already! 5/5

Kill – an Indian (Sikh) movie that is a “Die Hard on a train” scenario (I refuse to mention Under Siege 2) where our commando hero and his clandestine fiancée gets caught up in a train robbery by a big extended family bandit gang like they have over there. He is all about “no just beat them up don’t kill them” for the first act, I was starting to roll my eyes and think poorly of our hero, and then one baddie just up and knifes his would-be fiancée to death and then it is MURDER TIME.  Brutal kills that had even a hardened Fantastic Fest crowd hooting and hollering. Death by knife, cleaver, hammer, fire extinguisher (both ends), lighter fluid, toilet, and more.  He scares the piss out of the bad guys to where some just bail. They all go forward to “get him” and find a dozen of their dead are hanging by sheets in the intervening train car and they have to take a good cry break. Hard core! [Editor’s note from a year later – I mentioned this to an Indian coworker and they were impressed, this had just come out in theaters and made a splash there.] 5/5

Cinema!

Animalia – Whoa that was deep.  You follow a pregnant Moroccan woman who was a poor Berber but married into a rich family. The rest of the family goes away on a trip and then weird stuff starts happening.  As she travels trying to get to her husband, there is constant tension and increasing weirdness. Beautifully shot.  “Confidently ambiguous” in the wording of this Variety review.  If something makes you think, is it “arthouse“ nowadays?  It blended social roles, religion, philosophy, metaphysics, and science fiction slash the supernatural in a realistically complex melange. Reminded me a little of 2001: A Space Odyssey without taking as much of a sudden turn into weird.  I find it hard to believe this was Sofia Alaoui’s first film, it was casually masterful.  It had no clear firm resolution or statement, but frankly I like that. This film makes me want to think about it and discuss it with others. 5/5

Family Fun!

Riddle of Fire – Wowza!  Shot in 16mm and evoking the 1970s live action Disney movies, we get three roguish youngsters who run around loose like I did as a kid in the 70s and then go through some good old fashioned child endangerment, but with a faerie mythology layer slathered on top.  The mix of contemporary and literary language in the dialogue reminded me of O Brother, Where Art Thou, mixed with the original Bad News Bears and Pete’s Dragon.  And it was HILARIOUS.  The kid actors and their dialogue and mannerisms were so winning.  They meet a member of the gang they’ll come to loggerheads with, the Circle of the Enchanted Sword (a kinda Manson Family lite) who’s a big cowboy shit-kicker type and they say “he looks like he plays the jug in a hillbilly band” and then refer to him consistently as “that woodsy bastard” thereafter, which made me belly-laugh every time. Cute, foul, resourceful, and touching in turns.  This film is why I go to Fantastic Fest, to be completely surprised and delighted by something I didn’t know I was looking for but enjoyed immensely. 5/5 must see when it hits theaters next year and I’ll be telling everyone I know to go. [Editor’s note from a year later – I bought the Blu-Ray of this from Vinegar Syndrome so I can show it to anyone who will sit still.]