Tag Archives: film festival

Fantastic Fest – Battle League In Kyoto (Kamogawa Horumo)

Kamogawa Horumo was only vaguely described in the program as a “tasty Japanese confection drizzled in bat-shit crazy syrup.”  I’m down with that, so I went.  What I got was a little unexpected, actually – given the kind of Japanese insanity that exists in movies like “Tokyo Gore Police,” this is an EXTREMELY tame movie; don’t expect it to be super hyperkinetic bizarreness.  It’s a college romantic comedy with a layer of the (light and fun) supernatural on it.

However, don’t take that to mean that Kamogawa Horumo isn’t a good movie.  It is hard to review because it has a “secret” that not knowing makes the movie a lot more fun, but unlike the Sixth Sense the secret is about halfway through the movie, not at the end.  It’s definitely a movie to NOT read up on ahead of time.

Suffice it to say that it starts out with two friends as freshmen at Kyoto University who join a student club called the Azure Dragons.  “What is this club for?”  Well, no one will say for sure.  It’s a “perfectly normal” club, they repeatedly stress.  But they soon go from beer-and-food get togethers to learning the “Oni language” and doing weird dance moves.  Then the weirdness busts out.

It’s a charming movie, entertaining and kid-friendly.  The male lead, Yoshioshi Arakawa, plays a sad sack love-crossed guy – that part of the plot tends to drag at times, as sad sack college romantic comedies are prone to do.  I occasionally wanted to hit him and yell, “Man up!”.   His sidekick is really funny; the spirits force him to wear a samurai topknot in penance for his cowardice in the “battle league” and the reactions of other people seeing it never get old (I especially like the waitress who is so flustered she drops her serving tray).  The female leads are serviceable but forgettable.  In the end, it’s not an awesome movie, but it’s entertaining and enjoyable by the whole family.

Fantastic Fest – Day 2

Day 2 of Fantastic Fest was a total blast.  As a regular badge holder, I showed up 2 hours before the movies started to pick up tickets – I thought I was going to be early but the line was already huge.  The Alamo staff cranked through the whole thing in 30 minutes flat and I still got into everything I wanted to.  I am so impressed with how smoothly the logistics are going for this festival.

With time to burn, I headed over to Casa Garcias for some breakfast tacos.  Then I went back over to the Alamo and tried to catch up on this blog, but for some reason I’m having a chronic “Can’t get IP address” issue there.  Alas.  Life is SO HARD <sob>.

My movie lineup for day two is:

  • Kamogawa Horumo aka “Battle League in Kyoto”, a Japanese movie left largely undescribed in the program as “it’s craaaaazy wild!”
  • Krabat, a German movie based on a young adult novel called “The Satanic Mill” (yeah, that’s how the Germans roll)
  • Zombieland, the big star-studded world premiere of the day
  • Vampire Girl vs Frankenstein Girl, Japenese splatter comedy
  • Doghouse, a horror comedy

I ended up not seeing Doghouse; after a long day of movies and a back and forth to the Paramount for Zombieland, I decided to start the long drive home at midnight rather than at 2 AM.  But reviews of the rest follow!  (Well, I got impatient and posted my review of Zombieland when I got home last night because it was just so good.)

Fantastic Fest – Zombieland!

I’m having a hard time keeping up with blogging all of Fantastic Fest, mainly because I keep having a bad time getting an IP address on the theater’s wifi, but I didn’t want to wait to share with everyone what a total badass trip Zombieland is. Fantastic Fest hosted the world premiere of this new film, and director Ruben Fleischer and cast Woody Harrelson, Jesse Eisenberg (the kid from Adventureland) and Emma Stone (the chick from Superbad) were there. It was very crowd-pleasing here in Austin that the film starts with Eisenberg’s character travelling from his University of Texas-Austin dorm back to his home city of Columbus.

The four characters are pretty much the only people left alive after a massive viral “fast zombie” outbreak.  So as to not get too attached to each other, they don’t even use names, just their cities of origin – Harrelson is “Tallahassee,” a super violent zombie killer, Eisenberg is “Columbus,” Stone is “Wichita,” and Abigail Breslin (aka Nim and Kitt Kittredge), the little girl, is “Little Rock.”  If you’ve seen the trailer, you have the general tone of the film – zombie laced dark comedy.  It’s always a worry that the jokes in the trailer are “all the good parts” and what’s left over is boring – but not in this case; the duo of Harrelson and Eisenberg is funny every step of the way.

There’s a surprising amount going on; though there aren’t many breaks from the nonstop and entertaining wisecracking and/or zombie killing, each of the four human characters are clearly defined and have their own internal conflict and arc going on.  (There’s a fifth human character, in an awesome turn, but I’m not going to give away the surprise by telling you who.)

Eisenberg’s character refers frequently to his “rules” of survival in Zombieland, from Rule 1: Cardio, to Rule 17: Never be a hero.  The rules are dynamically superimposed on the screen throughout the movie, in a way that could have been been distracting but instead flows really well and adds to the humor.  It’s a very interesting and nonstandard effect.

The action and zombie kills are bad ass, melding comedy and brutality seamlessly, whether it’s death by banjo, carnival ride, car door, toilet tank cover, hedge clippers…  It never quite goes over the line to pure camp, however, allowing you to stay “in the moment” with the cast of characters.  It’s also very interesting to just have the four characters to deal with – besides zombies and Surprise Person #5, it’s all these four actors all the time, which lends itself to a economy of scene that eliminates distractions and keeps the focus on their interaction.

The characters are not a terribly reflective bunch; first Tallahassee and Columbus meet and decide to stick together even though the former can tell the latter is “kind of a bitch.”  They get grifted by the two chicks but all end up travelling together, with various vague ends in mind – they’re not seriously planning for the long term; you get the impression that they have some things they’d like to see and do but pretty much the fall of civilization has resulted in them just not giving too much of a shit about anything any more.  There’s several scenes where the characters destroy things (like an Indian kitsch store in Arizona) pretty much just because they can.  Part of the development of the movie is them being able to learn to even give a shit about each other, their few remaining fellow humans.  They’ve all learned habitual distrust of others, as some might expect when the end comes.

The characters were well balanced, at least the main three (they didn’t make as much use of Breslin as they could have), but Harrelson really steals the show with his character’s exuberance and little twists – he’s always seeking the last Twinkie; he always paints a Dale Earnheart “3” on the sides of his appropriated Mad Max-mobiles; he really loves killing zombies in as hand to hand a way as possible…

The crowd went insane for this movie; it’s destined to become a horror-comedy gold standard.  A comparison to Shaun of the Dead is inevitable; I love both movies but they are quite different – Zombieland is a lot more energetic overall – more high-flying action; still a buddy comedy with a romantic element but a lot more – well, American; direct in humor and action sensibility.

So in summary – I loved it, all who saw it loved it, you will love it.

Fantastic Fest – Rec 2

REC” is the film on which the U.S. movie Quarantine was based.  I never saw REC, but did see Quarantine.  REC 2 picks up immediately (like about thirty seconds) after the end of REC, Halloween 2 style.  From what I can see, there is about zero meaningful difference between REC and Quarantine because everything was as I remembered it from the American remake.

We pick up with a SWAT team and “Ministry of Health” official entering the cordoned building which, as we know from REC 1/Quarantine, is full of “fast zombie” victims of some unknown plague.  The big twist (stop reading if you don’t like spoilers) here is that the “official” is really a priest and the plague, though spread like a normal blood/fluid zombie thing, is a demonic infestation.  The Vatican got a hold of a possessed girl and decided to do scientific experiments on her to find an “antidote.”  And thus the killing begins.  Some of the original cast return, and some more hapless camera-loving kids wander in to provide more points of view (as the core conceit is that everything in the film was captured on one real camera or another – the reporter’s camera from the first movie, the SWAT team’s helmet cams, and the kids’ camcorder).

REC 2 was entertaining enough, and well done.  Nothing to gush over, but it’s definitely a sequel that’s as good as the original, so if you liked Quarantine you’ll like this.

Fantastic Fest – Solomon Kane!

I was not to be thwarted by it being sold out, and was first in the standby line to get into Solomon KaneSolomon Kane, the Puritan adventurer, is one of Robert E. Howard’s fictional creations (along with Conan, Kull, and Bran Mak Morn).   Writer and director Michael J. Bassett (Wilderness, Deathwatch) was in attendance.

The movie was very good – I would sum it up as “Van Helsing, but without the suck.”  James Purefoy (Mark Antony from HBO’s Rome) stars as Kane.  Bassett decided to make an origin story for Kane instead of directly adapting an existing story.  Kane is a tortured soul; he starts the movie as a piratical badass but upon discovering that the Devil is eagerly awaiting his soul, forsakes his life of violence and embeds himself in a hermitage.  There’s pathos in his being forced back into a life of violence by Devil-insipired armies besetting the land – the movie doesn’t bear this as well as, say Clint Eastwood in Pale Rider, but then again who does.

Bassett makes great use of snow and rain and atmospherics, making the overall film feel much like a Howard story tells – dark, gritty, full of blood and steel and violence.  The movie’s cinematographer, Dan Laustsen, also worked on Brotherhood of the Wolf (also an excellent movie), and you can see the visual similarities.  One of my favorite shots is where Kane beheads an opponent, but it takes three brutal strokes to do it; more “chopping meat” and much less the light, airy pseudoviolence of many recent fantasy movies and TV shows.    (After the film, Bassett told a story about how they got a pig cadaver and had at it with various weapons to try and get a feel for what real weapon brutality would be like.)   Pete Postlethwaite, Max Von Sydow, and other notables fill out the cast.  CGI makes an appearance but is kept to a minimum (except with the too-balrogey demon in the end battle) – Bassett’s preference, as well as a budgetary limitation – the movie was not studio backed, but funded by its producers.

I’m sure there’s some deviant somewhere who will complain that this story isn’t a “pure Howard” Kane story, but it sure gets the tone right, and if successful Bassett wants to go on to make more Kane movies to tell some of Howard’s stories more directly.  I found it to be very enjoyable, similar in tone to The Thirteenth Warrior or Brotherhood of the Wolf.

Fantastic Fest – Merantau

Merantau,” where the film gets its name, is a kind of vision quest or walkabout for practitioners of silat, an Indonesian martial art.  Indonesia used to export a bunch of B action and martial arts movies until about fifteen years ago when they just plain stopped.  This is pretty much the first one since then.  As the story goes, a Welsh director, Gareth Evans, was in Indonesia making a documentary about silat when he thought “Hey, this looks pretty bad ass, I should make a proper martial arts movie with this.”  He found the star of Merantau, Iko Uwais, driving a truck for a telecom company.

The plot is bog standard – Yuda (Uwais) leaves his country home on his merantau, goes to the big city, falls on hard times (as in real life, apparently, being a super ninja doesn’t pay the bills) and immediately comes across a girl and her scrappy little brother who are in trouble.  A slick gangster is looking to force her into a life of sex slavery with some ruthless white international crime bosses (of uncertain provenance – Dutch?  South African?) .  Only ass kicking can save the day.  So far, this sounds like “Ong-Bak: The Indonesian Version,” right?  Interestingly, however, the movie is well done – the story is about 50% more coherent and the acting about 100% better than Ong-Bak and similar B movies. There are some great scenes between Yuda and his family, especially his mother, played by Christine Hakim.  We were told afterwards that the version of the movie we were screening had 45 minutes of “family drama” cut from it to get to the action more quickly – from what I can see of the actors’ work, that is a shame.  All the characters are interesting and have some depth to them, even the villains – I particularly liked Alex Abbad’s “Jonhi” as the Indonesian pimp/thug trying hard to impress his bosses in a no-win situation; it was played for comedy but with a very light hand.

The martial arts action is good and seeing a new martial art is always interesting. Silat is a very sinuous and close-in style, mixing hard strikes with joint locks and throws.  There are a couple entertainingly brutal takedowns – the crowd favorite was one where Yuda is fleeing thugs across a series of rooftops; he jumps from one roof to another and stops to grab a bamboo pole – when the first mook leaps after him, he gets speared right in the chest in midair and then falls three stories.

The action setpieces, decently though not spectacularly choreographed, aren’t as over the top and interesting as Ong-Bak or some kung fu movies, but with the interesting characters and genuinely emotive acting, I thought Merantau transcended being a generic martial arts movie from Undiscovered Country Of The Month and was a truly enjoyable film overall.  I could tell the crowd at the screening felt the same way; there was a general feeling of (very pleasant) surprise at having expected an unpolished martial arts movie but getting a film with depth and character instead.

Fantastic Fest – First Squad

First Squad was interesting, it was written by Russians but animated by the Japanese  Studio 4°C, which did Animatrix and some other stuff, so the art is very high quality.  It’s about a girl named Nadya who is part of  the Russians’ own paranormal intelligence effort to combat the Nazis’.  Her cadre, the rest of the “First Squad,” is killed in training, but when the Nazis summon the ghost of a dead knight to turn the tide of the Eastern Front, she has to journey to the land of the dead to get them to help.

The interesting thing I thought was that it was done in the style of a documentary; the action would break and you’d go to a (real, not animated) crusty old Russian talking about their war experience or war history or whatnot.  Some of the events in the film, notably the starting and ending battles, were based on historical events so this added a very pleasing “beneath the skin of history” layer to it.

Other than that, the plot and action were kinda “standard” anime, though more coherent that some.  I liked it, though wouldn’t rave about it.   It’s probably the most concise thing I’ve seen out of the Russians ever, however, which makes it notable.

Fantastic Fest – Day 1!

In a break from the normal RPG-only content hereabouts, I will be blogging about my visit to Fantastic Fest 2009!  FF is a week-long film festival here in Austin, TX with a focus on the “weird stuff” – horror, martial arts, foreign…  It’s co-sponsored by Harry Knowles of Ain’t It Cool News.  I had a bunch of vacation to take by the end of the year, and decided since I’ve never done a film festival before, it would be a fun thing to try!

They have a pretty streamlined process where you get all your tickets for the day first thing, so you don’t have to stand in line for specific shows just to discover you don’t get in.  I discovered that, sadly, even though I was here early  I didn’t get a ticket to see Solomon Kane, the movie based on the Robert E. Howard hero by the same name.  So my lineup for the day is:

  • First Squad – Russian anime (No, really!)
  • Merantau – Indonesian martial arts.  (No, really!)
  • Short Fuse, a collection of shorts.  This was the Solomon Kane slot, as well as some big premiere for “Gentleman Broncos“, another outing by the Hess brothers, the Napoleon Dynamite guys.  I’m not too interested in Broncos, so I chose the shorts, and am wondering about the possibility of going standby for no-shows for Solomon Kane.
  • REC 2 – The first REC was the movie Quarantine was based on.  This is the sequel, which kicks off immediately after the events in the first one, Halloween 2 style.

This is a short day, subsequent days have like 5-6 slots.  Can my butt stand it?  We’ll find out.

Hooray for the Alamo

It’s made a lot easier by the fact that most of the screenings are at several of the Alamo Drafthouse locations.  For you poor bastards that don’t have something like this, the Alamo has a full service food and drink menu that they bring to your seat; each row of seats has a table-counter-thing in front of it to hold your, for example, pizza and bucket of beer.  Quite civilized.  They play entertaining shorts and old movie trailers and whatnot in the time leading up to the film, too, so the usual procedure is to show up really early, get settled in, order your food while watching the trailers and talking, and then you’re all set when the movie starts.   The Alamo is an Austin institution; there’s 4 in Austin and they’ve spread to San Antonio and Houston (and, weirdly, West Virginia.)