Tag Archives: japanese

Fantastic Fest 2010 Day Six

Day 6, I wasn’t going to mess around – I put down five movies like they were unruly hookers.

First up, the awesome Rare Exports (8/10).  Scandinavians have weird myths, and this one delves into the early Swedish myths of Santa Claus – think less “jolly old Nick” and more “demented goat-beast.”   It’s the tale of a boy and his (modern day) reindeer-ranching village as Christmas approaches.  Some Americans (those goddamn Americans are always behind it) are blasting up on a nearby mountain, and it appears wolves have eaten all the reindeer…  But then you find out that the mountain may be where the natives froze and buried Santa because he was so nasty….  And next thing you know there’s fifty naked old guys running through the snow chasing a little boy.  This was a very enjoyable movie, it never goes over the line to slasher horror but you really think that any minute it’s going to…

There was a cool short before it, Unholy Night,  that similarly deals with the Icelandic Santa myths, in which there are 13 Santas, one of which is named “Meathook.”  You can imagine how that ends up.  They want to parlay the short into a film with all 13 Santas.  Sounds like a winning idea for a one-season Showtime special to me!

Then it was time for Mutant Girls Squad (6/10), the newest from the three Japanese psychos behind Tokyo Gore Police, Robogeisha, and Be A Man! Samurai School.  It’s Troma-esque schlocky gore.  I didn’t find it too engaging.  It was better than last year’s Vampire Girl vs Frankenstein Girl at least, but there’s only so far the sophomoric imagery takes you – “Girl with a chainsaw coming out her ass” and “Girl with katanas coming out of her breasts” were two of the characters in this flick.  It was enjoyable in a middle school kind of way for the first hour, and then I got sleepy.

Next was a real high point, Drones (9/10) – like Office Space, but with aliens!  Kinda.  A true low budget success, we get a tale of intergalactic domination told only with office workers in cubicles.  The writing is the real star here, and the film is clever and engaging.  The protagonist, “Brian”, discovers in short order that both his best friend and his girlfriend are alien infiltrators, but from different races that oppose each other…  But it doesn’t go all “Bros vs Hoes,” it’s a good-hearted film where the characters pull together.  Very, very funny.  We all came out of that showing reinvigorated and chatty.

Then we watched The Dead (7/10).  Fair warning, the people I was with liked this film less than I did.  They shot a zombie outbreak movie in Africa, on the border of Sierra Leone and Burkina Faso.  An American military man involved in some brushfire war there gets stranded when a zombie outbreak happens.  He travels across the country, teaming up with a local military man for much of the journey.

This film just didn’t have the bite it should have.  First of all, “zombie outbreak” is only about a 6 on the 1-10 scale of fucked up shit that happens in that part of Africa every day.  The filmmaker shied away from showing any of that, possibly out of ultra sensitivity to the inevitable charges of racism that would follow.  (They talked about some of the Internet nimrods that are already tooting that horn; there is absolutely no reason for it but people like to bring themselves some measure of fame by crapping on other stuff.)  Second of all, they talked about the transformation of the main character from selfish to altruistic over the course of the film, but the movie I saw doesn’t support that one bit (that he was that selfish, or that he changed).  I did like how the people in the movie weren’t all “turn on each other and be more dangerous than the zombies,” that’s such a cliche now; seeing even disparate people band together despite their differences (besides black/white, they were on opposite sides in a war a day ago) in the face of such a threat.

A side note, they started this movie way before Resident Evil decided to have its newest incarnation in Africa, so no copycat charges please.  I think some of the problem may be that they just couldn’t get some of the scenes they wanted in the can; between customs delays and bribery and being held at gunpoint and knifepoint and suffering from dysentery, they really had a hellish time trying to make a movie in Africa.  There’s a scene where he finds a baby and gives it away to some soldiers about one minute after; the director expressed his frustration that they wanted to do more with that but just ran up against the limits of their time in country.

Finally, we had Rammbock (9/10), a German zombie outbreak movie.  A sad sack going to bug his ex-girlfriend gets caught up in an outbreak and he and several other residents of the townhouse barricade themselves in and have to help each other.  This film also had a fairly positive view of human nature post-zombie, though there was the one “Mr. Twitchy” who endangers everyone by being a big selfish tool.

I thought their take on the zombie outbreak was a very compelling one. It’s a disease, and the result is 28 Days Later style fast-zombies, but you find out that being bitten isn’t 100% fatal, and that an infected’s immune system might fight it off if they stay calm and avoid adrenaline rush.  So you have a reason to not just kill anyone bitten, and a reason to be seeking after sedatives and other McGuffins.  It opens up a lot of interesting avenues that the now-traditional zombie disease closes, and I’d be interested in seeing more riffs on it.

It was also clever in that all their attempts for random townspeople to confront zombies with violence end badly – they really have to use their brains, they don’t all go Ash like so many movies depict.

This was one of the best days of the fest!  But even better is yet to come…

Fantastic Fest 2010 Day One

It’s September in Austin and that means it’s time for Fantastic Fest!

Their new online ticket ordering system totally crapped out in the face of a thousand simultaneous clicks in the morning, so we went back to last year’s “rack out early and stand in line” method.  C’est la vie.  The Alamo Drafthouse staff and volunteers run the whole thing very smoothly so no real complaints there.

My first movie of the festival was Transfer (8/10), a German science fiction movie about rich old people who make use of a new “memory transfer” technology to put their minds into virile new bodies.  These bodies are technically “volunteers” from Africa and other third world countries, who get a bunch of money for their families and four hours a day back in their own bodies for giving up 20 hours a day (and much of their freedom during those other four).  As you might imagine the “volunteer” nature of this work and the validity of its rewards are debatable.

I really enjoyed this movie.  It touches on some of the same themes as the “use my clones/imprint my brains” kinds of movies like The Island or the excellent Joss Whedon TV show Dollhouse.  But while a Hollywood movie would degenerate into chases and action sequences, and have all (morally) black-and-white characters, Transfer was a lot more nuanced – all the characters had a lot of depth and complexity and “good” and “bad” – both the elderly German couple and the Africans who were being used in this way as well.  Science fiction is properly about human reaction to technological developments (and ideally more complex ones than “shoot the robots!” and this movie was a classic, thoughtful science fiction story without being inaccessible – too many filmmakers go the other way when reacting against mass-market sci-fi and make their work deliberately weird, cryptic, and symbology-laden.

The acting was great.  I was impressed how well B.J. Britt, the black male lead, did with depicting Hermann the German when his personality was dominant – Hermann has what we Americans call a “big ol’ shit-eating grin” and he totally nailed it.  And the story dealt in a very complex way with racial tension in European society.  While watching this I had a brief nightmare about Hollywood remaking this movie as a comedy starring Martin Lawrence or the Wayans Brothers or something.  “Look, I’m wacky, I’m acting white!”  Shudder.

There’s a lot of ambiguity in the ending – it wasn’t clear to me exactly how it turned out for the Africans, for example – but it was a very well done and enjoyable film.

Next, I saw Golden Slumber (9/10).  It was by the director of Fish Story, which was my absolute favorite film from last Fantastic Fest.  This Japanese film was a tale of the shared experiences between friends, using the Beatles song “Golden Slumber” as a recurring theme.

I liked this movie.   It wasn’t as good as Fish Story (which, I’m not ashamed to admit, made me cry) but was still good.  I felt that some of the film felt more forced where Fish Story felt more organic in its execution of the theme (and the titular song tie-in).  I think in trying to reproduce some of the “hook” of Fish Story instead of completely being its own thing, it suffered.

But let’s not make too much of the comparison; few movies are as good as Fish Story and this one was very good.  It follows a hapless Japanese man who gets set up as the scapegoat in a plot to assassinate the Japanese Prime Minister – “Just like Lee Harvey Oswald, ” the characters muse.  This meant a lot of intrigue and chases and even action scenes, but the movie was not about the action, which makes all the difference.  And while many movies here at Fantastic Fest are about “how we all turn on each other when the shit goes down,” this movie is a celebration of how we don’t – the protagonist’s family and friends (mostly) know the man and know he didn’t do it, whatever they are told by the TV or scary government hatchet men.  So it has a very positive heart.  And humor; the helpful serial killer “Kill-O” had the crowd whooping.

But it’s also not a “District 13” kind of wish fulfillment fantasy where everyone gets their comeuppance in the end and the government gets set right…  Despite the heavy slate of coincidences, it strives to be a but more low-key and “realistic” than that.

Then, I went downtown to the Paramount to see the star-studded premiere of Let Me In (7/10).  The original “Let The Right One In” was a huge FF favorite from years past and there was a lot of trepidation about the remake.  But Tim League was out there claiming it’s “as good – if not even BETTER than the original” so I went.  I was on the fence about seeing it actually; going to the Paramount burns two Fantastic Fest slots and since many of the big gala movies are coming out into theaters in like two weeks, I wasn’t sure I wanted to pay the opportunity cost.  But I heard some of the kid actors on the radio in the morning and thought the Q&A and seeing the stars would be more interesting than the average, so I went.  (Sadly, no Chloe Moretz; that would have made it a slam dunk.)

Let me be honest here – I haven’t seen the original.  Inconceivable, I know; I have it on my Netflix instant streaming queue and just haven’t gotten around to it.  So given that context…

I thought Let Me In was good.  Certainly better than most Hollywood horror movies by a long shot.  But it didn’t live up to what it could have been.  Things just seemed so…  straightforward.  Mysteries weren’t preserved for long, and times where there could have been interesting twists, there weren’t really any.  In the end, it was pretty predictable.  The young actors and actresses did a great job, though, and really carried the movie.  The director, Matt Reeves (Cloverfield) did a decent job of creating mood, including one clever trick of never showing the boy’s mother’s face to indicate his level of dissociation from her, but certain elements like the environment of bullying and the enclosed nature of their small apartment complex didn’t come through as strongly as I would have liked.

I don’t want to come off as too negative; it’s certainly way better than “Freddy vs Jason Round 18” or whatever crap people are putting out nowadays, I was just lightly disappointed in an otherwise good movie and felt like a little tweaking could make it a lot stronger.

The Q&A went pretty long and I got back to the Alamo too late for the fourth slot, and I didn’t really want to sit around two hours waiting for the midnight slot, so I availed myself of some of the free Ambhar tequila they were giving out and went home to let out my long-suffering dog.  So that’s it for Day One of Fantastic Fest 2010!   It’s off to a good start;  I saw three movies I enjoyed to varying degrees, from “good” to “excellent!”  (And I hear I made the right call going to Let Me In instead of sticking around to see Ong-Bak 3, which by all reports was a real stinkburger.)

Fantastic Fest – Battle League In Kyoto (Kamogawa Horumo)

Kamogawa Horumo was only vaguely described in the program as a “tasty Japanese confection drizzled in bat-shit crazy syrup.”  I’m down with that, so I went.  What I got was a little unexpected, actually – given the kind of Japanese insanity that exists in movies like “Tokyo Gore Police,” this is an EXTREMELY tame movie; don’t expect it to be super hyperkinetic bizarreness.  It’s a college romantic comedy with a layer of the (light and fun) supernatural on it.

However, don’t take that to mean that Kamogawa Horumo isn’t a good movie.  It is hard to review because it has a “secret” that not knowing makes the movie a lot more fun, but unlike the Sixth Sense the secret is about halfway through the movie, not at the end.  It’s definitely a movie to NOT read up on ahead of time.

Suffice it to say that it starts out with two friends as freshmen at Kyoto University who join a student club called the Azure Dragons.  “What is this club for?”  Well, no one will say for sure.  It’s a “perfectly normal” club, they repeatedly stress.  But they soon go from beer-and-food get togethers to learning the “Oni language” and doing weird dance moves.  Then the weirdness busts out.

It’s a charming movie, entertaining and kid-friendly.  The male lead, Yoshioshi Arakawa, plays a sad sack love-crossed guy – that part of the plot tends to drag at times, as sad sack college romantic comedies are prone to do.  I occasionally wanted to hit him and yell, “Man up!”.   His sidekick is really funny; the spirits force him to wear a samurai topknot in penance for his cowardice in the “battle league” and the reactions of other people seeing it never get old (I especially like the waitress who is so flustered she drops her serving tray).  The female leads are serviceable but forgettable.  In the end, it’s not an awesome movie, but it’s entertaining and enjoyable by the whole family.