Tag Archives: santa

Fantastic Fest 2026 – Day 5

Day 5, entering the second half of Fantastic Fest. 17 movies watched so far, and the same to go. My initial luck of getting 5/5 of my film picks during the 10 AM ticketing frenzy has faded and I’m getting maybe 3/5 now.

Before getting to the films, some other fest tidbits.

  • The marketplace they did one day with book, comic, art, and movie vendors was cool, I always find something I can’t live without (got a piece of art for my son I know he’ll like)
  • Plenty of fun swag, this Fangoria fan was very apropos since it was pushing 100 degrees F and there’s a lot of waiting outside involved
  • The new Hellraiser:Revival game must have paid them a huge suitcase of money because they played this trailer for it before every single showing (nothing else got that treatment). And dang it’s gruesome beyond anything I’ve seen in a game.
  • There were only two Secret Screenings this year which is the lowest I think it’s ever been. Weird, I don’t know why.

Anyway, on to another day of movies!

Victorian Psycho – A little tale of a delightfully deranged governess played by Malika Murphy who comes to a rural family mansion and wastes no time going completely nuts. Like an Edward Gorey tale in movie form. It asks the question, “is a psycho killer any more insane and harmful than the British aristocracy?” As always the answer is “No.” Not deep but an easy watch and Malika’s demented expressions never fail to entertain. Also has Agnes from Wednesday in a supporting role. 4/5

Janur Ireng: Sewa Dino The Prequel – An Indonesian horror film apparently based off some Twitter creepypasta thread called “Simpleman”, a newly orphaned brother and sister go live with their creepy aunt and uncle and then there’s rituals and penanggalans and possession and curses and banging of goat demons. Decent production values, not much else. Watchable…but not by a wide margin. 2.5/5

Flapjax – A camp gross-out comedy about a fast food restaurant named “Pigudders” and the hapless go-getter (think a human SpongeBob with mother issues) working there. Corporate is reviving a product, Flapjax, taken off the market a decade ago due to it causing “implosive diarrhea” in many consumers. This time the side effects are worse. Goofy and goopy. I’m not into gross-out for its own sake and this was that. But not terribly made, and had a bit of heart. 2/5

The second and final Secret Screening was Alpha Gang (big budget sci-fi comedy) but I couldn’t get in. I hear I got the better end of that deal from others later.

Into The Sky – An alien abduction rom-com where a guy keeps getting abducted for a month and dumped naked in a field in a random state, which is mildly distressing in and of itself but really screws with your ability to keep a job or wife or stuff. But then he meets a hot little event planner and things look up, but then he meets David Cross as a fellow abductee and things go wrong. Kinda like a Hallmark movie with more self-mutilation than usual. But the mom’s verbal assaults on her daughter-in-law to be were the most shocking violence in the film, it got gasps and exclamations from the audience. Was entertaining enough and went down smooth, though nothing to write home about. But if I were those darn chipmunks I’d stop f***ing with David Cross because he holds a grudge. 3/5

Ghost In The Cell – An Indonesian prison ghost movie.  It started out promising – a ghost gruesomely murders a reporters boss so he gets sent to prison where the vicious gangs are somewhat held at bay by a good guy they respect. The promise of Indonesian jail martial arts fights and horrific ghost murders just kinda peters out as slapstick and the power of friendship take over and it gets really boring in the third act. 1.5/5

Well. Not the best slate of films today, but two decent ones and only one I regret seeing. I don’t pre-research the movies besides looking at the super minimal description in the fest program, I just choose on vibes, so sometimes you roll high sometimes you roll low.

Fantastic Fest 2026 – Day 4

Day 4, Sunday at Fantastic Fest, the last day of the “first half”, and it was a banger! It starts with a Finnish double shot.

The Squirrel – In a controlled, hygienic future like the one in Demolition Man, where there are no more animals or sex or dirt or strong emotions allowed for your health and safety, a robot-dog designer who comes across like a Finnish Ryan Gosling (in hapless everyman Lars and the Real Girl mode) discovers a real squirrel, which rocks his world. Can he discoveee a non-hermetically sealed life without getting dragged off to reeducation by the environment suit guys from Monsters Inc.? A great meditation on where modern culture is going. The production design was a future IKEA fever dream and the acting was great. Apparently all the animal wranglers told them it was impossible to do this with real squirrels and it took them years to find some Czech squirrel whisperer to pull it off. It just got tapped to be Finland’s entry for the international film Academy Award which would be well deserved in my opinion, 5/5 best of the fest so far.

The Finns keep putting up wins! First sc-fi, now holiday horror.

Red Snow – It’s Christmastime in Finland and a vampire is replacing house call Santas (a thing there I guess) and eating families instead of milk and cookies. Except this time, the family is feckless Finnish Robert Patterson, his Twilight-worshipping daughter, Finnish Jennifer Lawrence, his mail-order Vietnamese bride, and his equally feckless son, and an aging suicidal vampire hunter, Finnish Willem Dafoe and his goth home nurse, collide into a bloodbath. Funny, gory, schlocky, a good add to your Christmas horror lineup. 4/5

The day is going strong and getting stronger.

Girl in the Night – A Slovenian deadpan absurdist indie comedy about a convenience store worker who meets a girl who is a… well, nighttime vigilante is a strong word but she graduates from finding lost ferrets to beating up bike thieves pretty quickly. He steals her bike so she’ll come around more. It’s like if A Girl Walks Home Alone At Night and Kick-ass had a Slovenian baby. I really enjoyed it, it was very well filmed despite being shot virtually entirely at night outside in the Slovenian town of Škofja Loka and the humor translated really well. Right up my alley! 5/5

Well! Two 5/5s and a 4/5 today, I am content. I was not expecting what was about to happen to me…

Pathetic Fallacy – I am not entirely sure how to describe this – it was something new. Which is a rare thing.

Apparently the writers of Ant-Man had a nervous breakdown and wrote this and the director (Adam Egypt Mortimer) secretly turned it into a musical. But it’s not a musical.  It’s psychedelic, but it’s not a psychedelic film. It has a slasher, but it’s not a slasher film. It defies categorization and at no time did I know where it was headed, at the beginning it seemed like 2 entirely unrelated movies, but it was confident in getting there and bringing it all together.

This movie made me go look stuff up! The pathetic fallacy, coined by Victorian critic John Ruskin, is the practice of attributing human emotions or responses to nature, animals, or inanimate objects (derived from pathos, meaning emotion, and fallacy, meaning falseness). He originally used it to criticize poetry that let false emotions distort reality.

I am not sure how to describe the film. It has:

  • Scott Mescudi, aka rapper Kid Cudi, in his first lead role as a man whose lover, Jessica Rothe, passes away from cancer in a gripping sequence that is, I am sad to report from personal experience, highly accurate
  • Axe murders, some butt naked
  • Talking animals, mostly groundhogs
  • Musical sequences, some fully diegetic with an in-movie band
  • Fully psychedelic sequences (think Pink Floyd – The Wall)
  • Soundtrack by Johnny Jewel, which is as much a part of the film as Angelo Badalamenti’s score is in Twin Peaks
  • Natasha Lyonne in a toothsome supporting role as a spider. Imagine an evil Charlotte in Charlotte’s Web encouraging Wilbur to kill. “Be a bad pig!”
  • Lush full 35mm cinematography filmed at night by a commercial/video cinematographer that didn’t know you couldn’t do that on an indie budget
  • Plenty of mind-bending effects done with no AI
  • Rage about the death of those in your life

But that’s just a reductive list that doesn’t in any way explain what this amazing movie is. In the Q&A afterwards the director said that “In genre film, the emotional violence should equal the physical violence.” It came over me in a rush that is what I find missing in a lot of the genre films I’ve been seeing lately, which hinge brutality on the most absolutely tenuous emotional stakes. And he did it, you fully understand and feel the pain and trapped feeling and thwarted love of Kid Cudi, who acts his absolute ass off in the film.

This movie has turned genre film into art without making it pretentious. I was amazed and delighted, it’s one of my two favorite films I saw at Fantastic Fest this year. And amazing work and acting from everyone involved. Disney should replace Jonathan Majors with Kid Cudi for the Kang the Conqueror role, and Jessica Rothe showed she has serious chops that will go well past horror and rom-coms. I feel like this movie can maybe be described as “David Lynch for the newer generation” – the same thoughtful, holistic combination of the grotesque and sublime. Go see it! 5/5

I was going to see “No Way Down” in the midnight slot but I had to go hit the Pathetic Fallacy after-party instead, where Johnny Jewel and the band from the movie performed. The director, Natasha Lyonne, Kid Cudi, and Jessica Rothe were in attendance. No Kid Cudi on stage though, alas (I guess, I still am not sure… Oh… OK, I’ve heard “Day ‘N’ Nite” on TikTok a bunch, now that I go looking for his music.)

Since then I’ve been continuing to think about the movie. Were the animals and mountain evil, or not? Usually when demonic animals tell you to “kill”, that’s what we usually say is a “bad thing” but in this case… Did he really? If he did was it actually OK given the ending? Was this all a Jacob’s Ladder scenario because he really did take a handful of pills 15 minutes in? I don’t know! One reading is just that it’s a meditation on grief at a last-episode-of-Evangelion level.

I do know that it just makes sense to get butt naked if you’re about to axe murder people so you have clean clothes to put on though. So there’s one solid takeaway.

Fantastic Fest 2025 – Day Four

Sunday at the festival starts off slow, as Friday and Satrday nights are full of fun. I considered seeing Holy Boy in the first slot, but decided on a roundup of Indian shorts billed as “Fantastic India!” instead. Really more general SE Asian. I have learned to skip the shorts programming in general after several years of it just being a “how gross can we be” competition but there have been really interesting Indian movies the last two years so I thought I’d hit Indian shorts to get a smorgasboard. The shorts were:

From Me To You
  • Demons – a guy who just wants his heroin delivery man to top him explodes in gore when he takes the drug. And maybe there’s a supernatural creature of some sort? Short and serviceable, 3/5
  • Landfills of Desire – about the Rantas, some kind of Kashmiri witch. Mainly just some chick dressed up all goth walking around slash laying in a dining table while a voiceover alternates between cartoonishly ominous warnings about the rantas interspersed with 30 days of night style vampire shrieks. Marginal even for a film class. 1/5
  • From Me To You – very high budget looking cyberpunk Vietnam where there’s also aliens now living in a underclass similar to District 9. A sex tourist gets more than he bargained for with an alien prostitute. Really outstanding visuals but also themes. Outclassed all the other shorts by a wide margin. 5/5
  • The Last Ride – Mumbai cabbie trying to raise money for his sister’s dowry has misadventures ending with giving a ride to a witch but just like in the real world witches are the good guys compared to the cops! 4/5
  • Moti – COVID fable about a family dog that turns into a boy, or at least a boys body but is still a dog mostly. Well acted and tries to take the premise seriously but it was way too long and I got snoozy. 2.5/5
  • Night of the Bride – forcing a woman into a marriage with your rapey son is just good clean Indian fun, but when he’s also already dead it’s over the line. Good, short and to the point. 3/5
  • Rajas & the Wolf Girl – sweet, funny and strikingly animated short combining rotoscoped 2d for the main characters and 3d including mocap for the environment/secondary characters. Sideshow freaks need love too. No dialogue, just sounds, which was effective. Very cute and enjoyable. 4.5/5
  • Whodunit – a batch of Indian actors wait on roles, and apparently make this sketch while they wait as a demo reel. Fine for what it is but if you’re not casting Indian men in a movie give it a pass. 2/5

It was a solid set of shorts, only one aggravated me and two bored me, but the rest ranged from solid to really good! It’s good to see Indian cinema breaking out of the usual trenches. And a special shout-out, my favorite movie credit up till now has been “Vomit Monster” in Poltergeist 2 but now that’s rivaled by “Tongue Double” from From Me To You. And that tongue double worked overtime let me tell you.

Next slot, I decided on Marama over Crazy Old Lady, and Chocolate, which while it sounded fun (a Thai martial arts movie with an autistic girl that gets Taskmaster-type abilities from it) is from 2008 and available for home streaming so I watched it before the fest. 3/5, a servicable martial arts movie, goofy with good but not great fight sequences.

Marama is the first in a planned trilogy of Māori gothic horror movies! Our heroine Mary (Marama) is a Māori woman who was adopted by a British family as an orphaned baby, and she travels to a country estate in Britain based on a letter promising to reveal information about her birth family. Very well filmed and spooky! The first part evokes Jonathan Harper going to Dracula’s castle, but of course the real enemy is the Hated British. Good plot and supernatural elements, the tension ratchets up throughout even in scenes that could have become comical (the party where all the British are cosplaying as Māori and sailors and queens for example). Marama is freaked out by what’s going on but otherwise is a self-assured, strong woman, no screaming and running aimlessly down hallways in fear for her. Definitely worth a watch, gothic horror is so seldom done well any more and this is a fresh twist. Goes just a touch into cringe with the “Maori power” message, like, we get it. 4/5 stars.

After that I came out to discover a weird bloody mannequin, which bodes well because it was clearly there to advertise the next film on my schedule, Dolly!

Dolly – shot on film in the woods of Chattanooga, this is a Hills Have Eyes type slasher movie with a demented doll-faced woman (played by NWA wrestler Max the Impaler) victimizing some hikers. The main point is showing off gruesome practical special effects. Somewhat predicated on people not looking around at all when being stalked by a Jason type killer that, while way slower than their victims, somehow manages to Pepe Le Pew their way to jumping at them from out of frame a lot. Not really anything special, but at least you get to see Seann William Scott get mutilated. 2.5/5 stars.

I came out of this still going strong because I was committed to the full 5 screenings today! The next one was quite a left turn. It was up against Sisu 2, which is a big crowdpleaser and I liked Sisu, but it’ll be in theaters soon so I see no need to spend a fest slot on it.

Dawning (Demring) – A Norwegian film about three adult sisters who go out to a cabin in the woods to help the younger one recover from her latest suicide attempt. Then they get Ted Bundyed. (I enjoyed that one of the sisters pointed out the stranger with a sling on his arm asking for help with his busted car was a total Ted Bundy move as just two minutes before I had to restrain myself from shouting out “don’t go with that Ted Bundy looking m*********r!!!” in the theater. Of course, they went anyway, but I appreciated it.) Strikingly shot in black and white for the present and color for the voluminous flashbacks. It’s a weird proportion tonally – 2/3 of it is sitting around a cabin engaging in light sister-conflict and investigating their children-of-a-narcissist relationships with confessional scenes, flashbacks to interminable dinner parties, and so on, and then 1/3 is extremely brutal kidnap/murder. I think it’s trying to be about the cycle of life.  Decent but flawed tonally, you’d expect either more of the movie to be brutal or less. Though it does show how self-cutting can be a superpower in the right situation. 3/5 stars.

Finally, the late showing, which was the first Secret Screening of the fest. This is a FF tradition where they don’t release what they’re showing till you’re in the theater. Always big draws as this is where the jumbo premieres happen. I couldn’t get a ticket for it but I waited in the standby line and lucked out! The guy behind me (a soundtrack composer from Hollywood) was last in.

Silent Night, Deadly Night – a remake of the classic holiday horror film, where our protagonist kills one person a day in the lead up to Christmas while dressed as Santa Claus, encouraged by his own version of a dark passenger. But, you know, just bad people. He’s basically Advent Dexter. He stops off in a Hallmark movie type town and starts having a Hallmark movie type romance (though the girl has a real short temper) but the runs across another serial killer while trying to keep up with his own murder spree. It was really good and a fun horror/romance/comedy/thriller mashup, definitely worth a watch come holiday season! 4/5 stars.

And, we got a present with some goodies in it!

It was a long day but a good one, and we’ve just hit the halfway mark of the festival!

Fantastic Fest 2010 Day Six

Day 6, I wasn’t going to mess around – I put down five movies like they were unruly hookers.

First up, the awesome Rare Exports (8/10).  Scandinavians have weird myths, and this one delves into the early Swedish myths of Santa Claus – think less “jolly old Nick” and more “demented goat-beast.”   It’s the tale of a boy and his (modern day) reindeer-ranching village as Christmas approaches.  Some Americans (those goddamn Americans are always behind it) are blasting up on a nearby mountain, and it appears wolves have eaten all the reindeer…  But then you find out that the mountain may be where the natives froze and buried Santa because he was so nasty….  And next thing you know there’s fifty naked old guys running through the snow chasing a little boy.  This was a very enjoyable movie, it never goes over the line to slasher horror but you really think that any minute it’s going to…

There was a cool short before it, Unholy Night,  that similarly deals with the Icelandic Santa myths, in which there are 13 Santas, one of which is named “Meathook.”  You can imagine how that ends up.  They want to parlay the short into a film with all 13 Santas.  Sounds like a winning idea for a one-season Showtime special to me!

Then it was time for Mutant Girls Squad (6/10), the newest from the three Japanese psychos behind Tokyo Gore Police, Robogeisha, and Be A Man! Samurai School.  It’s Troma-esque schlocky gore.  I didn’t find it too engaging.  It was better than last year’s Vampire Girl vs Frankenstein Girl at least, but there’s only so far the sophomoric imagery takes you – “Girl with a chainsaw coming out her ass” and “Girl with katanas coming out of her breasts” were two of the characters in this flick.  It was enjoyable in a middle school kind of way for the first hour, and then I got sleepy.

Next was a real high point, Drones (9/10) – like Office Space, but with aliens!  Kinda.  A true low budget success, we get a tale of intergalactic domination told only with office workers in cubicles.  The writing is the real star here, and the film is clever and engaging.  The protagonist, “Brian”, discovers in short order that both his best friend and his girlfriend are alien infiltrators, but from different races that oppose each other…  But it doesn’t go all “Bros vs Hoes,” it’s a good-hearted film where the characters pull together.  Very, very funny.  We all came out of that showing reinvigorated and chatty.

Then we watched The Dead (7/10).  Fair warning, the people I was with liked this film less than I did.  They shot a zombie outbreak movie in Africa, on the border of Sierra Leone and Burkina Faso.  An American military man involved in some brushfire war there gets stranded when a zombie outbreak happens.  He travels across the country, teaming up with a local military man for much of the journey.

This film just didn’t have the bite it should have.  First of all, “zombie outbreak” is only about a 6 on the 1-10 scale of fucked up shit that happens in that part of Africa every day.  The filmmaker shied away from showing any of that, possibly out of ultra sensitivity to the inevitable charges of racism that would follow.  (They talked about some of the Internet nimrods that are already tooting that horn; there is absolutely no reason for it but people like to bring themselves some measure of fame by crapping on other stuff.)  Second of all, they talked about the transformation of the main character from selfish to altruistic over the course of the film, but the movie I saw doesn’t support that one bit (that he was that selfish, or that he changed).  I did like how the people in the movie weren’t all “turn on each other and be more dangerous than the zombies,” that’s such a cliche now; seeing even disparate people band together despite their differences (besides black/white, they were on opposite sides in a war a day ago) in the face of such a threat.

A side note, they started this movie way before Resident Evil decided to have its newest incarnation in Africa, so no copycat charges please.  I think some of the problem may be that they just couldn’t get some of the scenes they wanted in the can; between customs delays and bribery and being held at gunpoint and knifepoint and suffering from dysentery, they really had a hellish time trying to make a movie in Africa.  There’s a scene where he finds a baby and gives it away to some soldiers about one minute after; the director expressed his frustration that they wanted to do more with that but just ran up against the limits of their time in country.

Finally, we had Rammbock (9/10), a German zombie outbreak movie.  A sad sack going to bug his ex-girlfriend gets caught up in an outbreak and he and several other residents of the townhouse barricade themselves in and have to help each other.  This film also had a fairly positive view of human nature post-zombie, though there was the one “Mr. Twitchy” who endangers everyone by being a big selfish tool.

I thought their take on the zombie outbreak was a very compelling one. It’s a disease, and the result is 28 Days Later style fast-zombies, but you find out that being bitten isn’t 100% fatal, and that an infected’s immune system might fight it off if they stay calm and avoid adrenaline rush.  So you have a reason to not just kill anyone bitten, and a reason to be seeking after sedatives and other McGuffins.  It opens up a lot of interesting avenues that the now-traditional zombie disease closes, and I’d be interested in seeing more riffs on it.

It was also clever in that all their attempts for random townspeople to confront zombies with violence end badly – they really have to use their brains, they don’t all go Ash like so many movies depict.

This was one of the best days of the fest!  But even better is yet to come…